Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Johannes Vermeer
Study of a young woman

ID: 92484

Johannes Vermeer Study of a young woman
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Johannes Vermeer Study of a young woman


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Johannes Vermeer

One of the most talented painters in the Dutch Golden Age , 1632-1675 was a Dutch Baroque painter who specialized in exquisite, domestic interior scenes of ordinary life. Vermeer was a moderately successful provincial genre painter in his lifetime. He seems never to have been particularly wealthy, perhaps because he produced relatively few paintings, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, using bright colours, sometimes expensive pigments, with a preference for cornflower blue. He is particularly renowned for his masterly treatment and use of light in his work. What strikes in most of his paintings is a certain love, which easily could be called a love sickness, for the people and the objects in his paintings. He created a world more perfect than any he had witnessed. After having been virtually forgotten for nearly one hundred years,   Related Paintings of Johannes Vermeer :. | A Young Woman Seated at the Virginal with a painting of Dirck van Baburen in the background | Milkmaid | Recreation by our Gallery | Christ in the House of Martha and Mary | View on Delft. |
Related Artists:
Francis Hopkinson Smith
Engineer, artist, illustrator, and short story writer American , 1838-1915 United States author, artist and engineer, was born in Baltimore, Maryland, a descendant of Francis Hopkinson, one of the signers of the Declaration of Independence. Smith became a contractor in New York City and did much work for the federal government, including the stone ice-breaker at Bridgeport, Connecticut, the jetties at the mouth of the Connecticut River, the foundation for the Bartholdi Statue of Liberty in New York Harbor, the Race Rock Lighthouse (southwest of Fishers Island, New York) and many life-saving stations. His vacations were spent sketching in the White Mountains, in Cuba and in Mexico.
BELLEGAMBE, Jean
Flemish painter (c. 1480 - c. 1535) South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'.
Prospero Fontana
(1512 - 1597) was an Italian painter of the late Renaissance. Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases. Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.






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